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Artistas

Art & Language

biografía / bibliografía / obra
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Art & Language
Exposiciones
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Biografía
Michael Baldwin, GB, 1945, Chipping Norton, Oxfordshire; artista y escritor
Mel Ramsden, GB, 1944, Ilkeston, Derbyshire; artista y escritor
y
Charles Harrison, GB, (1942-2009), Chesham, Buckinghamshire; escritor y editor.
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(Exposiciones individuales (selección))
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2011 Official Squares Again, Galerie Grita Insam, Vienna, Austria
Portraits and a Dream, University of Kent, Canterbury, Kent
2010 Portraits and a dream, Lisson Gallery, London
2009 Art & Language, EMMA, Finland
Recent work, Distrito 4, Madrid.
2007 Art & Language, Distrito 4, Madrid.
Now They Are Surrounded:Reconfigured, London Metropolitan University
2006 Art & Language, Galerie Grita Insam, Viena.
Il ne reste qu’ à chanter, Galerie de l’Erban, Nantes (Miroirs 1965, Karaoke 1975- 2005) and Chateau de la Bainerie (Travaux 1965-2005).
2005 Hard to Say When, Lisson Gallery, Londres.
Now They Are Surrounded, noviembre 2005, Zentrum fur Kunst und Medientechnologie, Karlsruhe. Exhibition to accompany the symposium Art &Language and Luhmann III, del 5 al 6 de noviembre.
2004 Art & Language, Migrosmuseum fur gegenwartskunst, Zurich, noviembre, Galeria Filomena Soares, Lisboa.
Art & Language, CAC Málaga, septiembre-octubre.
2002 Too Dark to Read: Motifs Rétrospectifs, Musée d’art moderne Villeneuve d’ascq.
1999 Galerie Grita Insam, Viena.
Fundació Antoni Tapies, Barcelona.
PS1/Contemporary Art Center, Nueva York.
Art & Language & Luhmann No.2, ZKM, Karlsruhe.
1995 Galeria Juana de Aizpuru, Madrid.
1992 Galerie Nationale du Jeu de Paume, Paris.
1987 Palais des Beaux-Arts, Bruselas.
Marian Goodman Gallery, Nueva York.
1985 Tate Gallery, Londres.
1983 Gewad, Ghent.
Galerie Grita Insam, Viena.
1980 Van Abbemuseum, Eindhoven.
1977 Galleria Lia Rumma, Roma.
1976 Galerie Eric Fabre, Paris.
1975 Galleria Schema, Florencia.
1974 Galerie Bischofberger, Zurich.
1973 Paul Maenz, Colonia.
John Weber Gallery, Nueva York.
Lisson Gallery, Londres.
1971 Galleria Sperone, Turin.
1970 Daniel Templon, Paris.
1968 Vat 68, The Herbert Art Gallery, Coventry.
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(Exposiciones colectivas (selección))
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2011 Erre, Variations labyrinthiques (WANDER, Labyrinthine Variations), Centre Pompidou-Metz, Metz
2010 Animism, MuHKA Museum voor Hedendaagse Kunst Antwerpen, Antwerp
Double Bind/ Arretez d’essayer de me comprendre! Villa Arson, Nice
Animism, Kunsthalle Bern, Bern
Mirror, Mirror: Then and Now, The Anne & Gordon Museum of Art, Adelaide, SA
Algumas Obras a Ler - Colecção Eric Fabre, Museu Colecção Berardo, Lisbon.
2009 Rock – Paper – Scissors. Pop Music as Subject of Visual Art, Kunsthaus Graz, Austria.
Voids – eine Retrospective ‘uber leere Ausstellungen, Kunsthalle Bern, Bern
La planete des signes – Concrete Erudition, FRAC, Ile-de-France
Lisson Presents 5, Lisson Gallery, London
2008 Feelgood things, curated by Guillaume Biji, Muller Muller Gallery, Konkke-Hesit
Brussels Biennial 1, Brussels Biennial, Brussels
Muzej u senci, Museum of Contemporary Art Vojvodina, Novi Sad
Sympathy for the Devil: Art and Rock and Roll Since 1967, Musee d’art Contemporaine de Montreal, QC
Der Garten der Pfade, die sich verzweigen, Galerie Thaddaeus Ropac, Paris
Présence Panchounette CAPC - Musée d'art contemporain, Bordeaux
Sammlung / Collection, Migros Museum für Gegenwartskunst, Zurich
Peripheral vision and collective body, MUSEION - Museum für moderne und zeitgenössische Kunst , Bolzano
Group Show 2008, Ray Hughes Gallery, Sydney
Martian Museum of Terrestrial Art, Barbican, London
Based on Paper - The Marzona Collection, Middlesbrough Institute of Modern
Art - MIMA, Middlesbrough
guess who's coming, Mirta Demare, Rotterdam
Sound of Music, Marres - Centre for Contemporary Culture, Maastricht
Art Metropole: The Top 100, MSVU Art Gallery, Halifax
2007 Peter Blum Gallery, New York.
For Sale, Cristina Guerra Contemporary Art, Lisbon
Sympathy for the Devil: Art and Rock and Roll since 1967, Museum of Contemporary Art, Chicago, September-October
2006 50 years of Documenta 1955-2005, Kunsthalle Fridericianum, Kassel.
Public Space/Two Audiences: Works and Documents from the Herbert Collection, Museu d’Art Contemporani de Barcelona.
Dark Matter, White Cube, Londres, julio-septiembre.
2005 Cram Sessions: 03 Sound Politics, Baltimore Museum of Art, abril-mayo.
Collective Creativity, Kunsthalle Fridericianum, Kassel, abril-mayo.
2004 Before the End (The Last Painting Show), comisariado por Olivier Mosset, Swiss Institute, Nueva York, septiembre.
2003 Venice Biennale (Individual Systems comisariado por Igor Zabel).
Wittgenstein Family Likenesses, Institute of Visual Culture/Wittgenstein Archives, Cambridge, octubre-noviembre.
Adorno, Frankfurter Kunstverein, octubre-enero.
2002 Iconoclash, Center for Art and Media (ZKM) Karlsruhe.
Blast to Freeze: Britische Kunst im 20.Jahrhunert, Kunstmuseum, Wolfsburg.
2000 Live in Your Head: Concept and Experiment in Britain 1965-75, Whitechaple Gallery, Londres.
Many coloured Objects placed side by side to form a Row of Many Coloured Objects, obras de la colección de Annick and Anton Herbert, Casino Luxembourg.
1999 Museum as Muse; Artists Reflect, Museum of Modern Art, Nueva York.
Global Conceptualism; Points of Origin 1950s-1980s, Queens Museum of Art, Nueva York.
1998 l’envers du décor, Dimensions décoratives dans l’art du xxe Siècle, Musée du Art Moderne, Villeneuve D’Ascq.
1997 Documenta X, Kassel.
1995 Reconsidering the Object of Art 1965-1972, Museum of Contemporary Art, Los Ángeles.
1992 Repeticion/Transformacion, Reina Sofia, Madrid.
1989 The Situationist International, 1957-1972, Centre Georges Pompidou, Paris.
L’art conceptual, une perspective, Musée d’art Moderne de la Ville de Paris.
1987 British Art of the 20th Century, Royal Academy, Londres.
1982 Documenta 7, Kassel.
1980 Kunst in Europa na ‘68’, Museum Van Hedendaagse Kunst, Ghent.
1976 Biennale di Venezia.
1972 Documenta 5, Kassel.
1971 The British Avant-Garde, New York Cultural Center, Nueva York.
1970 Information, Museum of Modern Art, Nueva York.
1968 Language II, Dwan Gallery, Nueva York.
Bibliografía
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(Selección de libros de o sobre Art & Language)
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Art & Language: Texte zum Phanomen Kunst und Sprache, Select essays by Art & Language (German English edition) Verlag Dumont-Schauberg, Cologne, 1972
Art & Language 1975-1978 (selected essays by Art & Language), Eric Fabre, Paris (French English edition), 1978
Art & Language, Selected essays 1966-80, Stedelijk Van Abbemuseum, Eindhoven, 1980
Charles Harrison, Essays on Art & Language, Blackwells, Oxford, 1988
Art & Language and Luhmann, Institut f ur soziale Gegenwartsfragen, Freiburg, and
Kunstraum, Vienna, eds., Passagen Verlag, Vienna. Texts by Art & Language,
Paul Wood, Charles Harrison, Thomas Dreher, Niklaus Luhmann, Catherine
David, Peter Weibel.
Anne Rorimer, New Art in the 60s and 70s; Redefining Reality, Thames and Hudson.
Charles Harrison, Conceptual Art and Painting; Further Essays on Art & Language,
MIT Press, Cambridge Massachusetts and London, England.
Peter Osborne, Conceptual Art, Phaidon Books, London
Michael Corris Conceptual Art, Cambridge University Press, 2004
Art & Language: Writings, Distrito Cu4tro, Madrid, Lisson Gallery, London, 2005
Art & Language: Escritos, Distrito Cu4tro, Madrid, Lisson Gallery, London, 2007
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(Selección de catálogos de exposiciones)
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Art & Language, The Paintings, Palais des Beaux-Arts, Brussels, 1987
Hostages, Lisson Gallery, London, Galerie de Paris, Marian Goodman Gallery, New York, 1988
Art & Language, Galerie Nationale du Jeu de Paume, Paris, 1992
Art & Language in Practice, Volume 1, Illustrated Handbook, Volume 2, Critical Symposium, Fundació Antoni Tapies, Barcelona, 1999
Art & Language: Too Dark to Read, Motifs Retrospectifs 2002-1965, Musee D’art moderne de Lille Metropole, Villeneuve d’ascq, 2002
Art & Language, Homes from Homes II, Migrosmuseum fur Gegenwartskunst/JRP Ringier, Zurich, 2006
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(Selección de discos y Cds)
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Art & Language han grabado música con The Red Crayola.
Corrected Slogans, 1976.
Drag City/Dexter’s Cigar, Chicago, 1997
Kangaroo?, 1981
Drag City/Dexter’s Cigar, Chicago, 1995