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Artistas

Laurie Simmons

biografía / bibliografía / obra
Obra
VER LA OBRA DE :
Laurie Simmons
Exposiciones
The Long House
XS
The Boxes
The Music of Regret
www.lauriesimmons.net
Biografía
Nace en 1949 en Long Island, Nueva York.
B.F.A., Tyler School of Art, Philadelphia, 1971.
Vive y trabaja en Nueva York.
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(Exposiciones individuales)
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2012 The love doll (Geisha), The Baldwin Gallery, Aspen, Estados Unidos
The Gothenbur Museum, Cöteburg, Suiza
2011 The love doll: days 1-30 / Early black and white interiors, Wilkinson Gallery, Londres, Reino Unido
2010 The love doll: jours 1-17, JGM Galerie, París, Francia
2009 Tomio Koyama Gallery, Tokio
In and Around the House Photographs 1976-1978, Galeria Erna Hecey, Bruselas
2008 In and Around the House, Carolina Nitsch Project Room, Nueva York
2007 The Boxes, Galería Distrito 4, Madrid.
The Music of Regret, Espacio Distrito 4, Madrid.
Laurie Simmons, Nassau County Museum of Art.
Color coordinated Interiors, Skardstedt Fine Art, Nueva York
Photographs 1998, Baldwin Gallery, Aspen, Colorado
2006 , Greenberg Van Doren Gallery, St. Louis, Missouri.
Sperone Westwater, Nueva York.
The Music of Regret, Film Premiere, The Museum of Modern Art, Nueva York.
The Music of Regret, Tate Modern, Londres.
2005 Laurie Simmons, Sperone Westwater, Nueva York.
The Long House, Galería Distrito 4, Madrid.
Laurie Simmons: New Photographs, Baldwin Gallery, Aspen, Colorado.
2004 The Instant Decorator, Sperone Westwater, Nueva York.
2002 Galerie 20/21, Essen, Alemania.
Early Photographs 1978-1979, Skarstedt Fine Art, Nueva York.
2001 Baldwin Gallery, Aspen, Colorado.
2000 Skarstedt Fine Art, Nueva York.
Laurie Simmons & Peter Wheelwright: Kaleidoscope House, Deitch Projects, Nueva York.
1998 S.L. Simpson Gallery, Toronto, Canadá.
Metro Pictures, Nueva York.
Dorfman Projects, Nueva York.
1997 The Baltimore Museum of Art, Maryland.
Clothes Make the Man, Dorfman Projects, Nueva York.
Theoretical Events, Nápoles, Italia.
1996 Works: 1982-1994, Modernism Gallery, San Francisco.
Laurie Simmons: Icons of Feminism, The Savannah College of Art and Design, Georgia.
1995 Galerie Philippe Rizzo, Paris.
S.L. Simpson Gallery, Toronto.
1994 Metro Pictures, Nueva York.
1993 Fay Gold Gallery, Atlanta.
Galerie Philippe Rizzo, Paris.
1992 Orangerie München, Munich.
Daniel Weinberg Gallery, Los Angeles.
S.L. Simpson Gallery, Toronto.
1991 Metro Pictures, Nueva York.
Galerie Carola Mosch, Berlin.
1990 San Jose Museum of Art, San Jose, California.
Galerie Jablonka, Colonia.
1989 Daniel Weinberg Gallery, Los Angeles.
Galerie Jablonka, Colonia.
Metro Pictures, Nueva York.
1988 Metro Pictures, Nueva York.
1987 Water Ballet/Family Collision, Walker Art Center, Minneapolis.
1985 Weatherspoon Art Gallery, University of North Carolina, Greensboro.
Tyler School of Art, Philadelphia.
Josh Baer Gallery, Nueva York.
1984 Galerie Tanja Grunert, Stuttgart.
International with Monument, Nueva York.
1983 Metro Pictures, Nueva York.
CEPA Gallery, Buffalo, Nueva York.
1981 Diane Brown Gallery, Washington, D.C.
Metro Pictures, Nueva York.
1979 Artists Space, Nueva York.
P.S. 1, Nueva York.
University of Rhode Island, Kingston.
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(Exposiciones colectivas)
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2012 Room in my head, Staging Psychological Spaces, Gutchein Gallery, Savannah, Estados Unidos
2009 Role Models: Feminine Identity in Contemporary American Photography,
Museum of Women in the Arts, Washington, D.C
Surveillance from the Doll House, Mireille Mosler Ltd., Nueva York
Talk Dirty to Me, Larissa Goldston Gallery, Nueva York
The Glamour Project, Lehmann Maupin, Nueva York
The Pictures Generation, 1974 – 1984, The Metropolitan Museum of Art, Nueva York
2008 The Puppet Show, Institute of Contemporary Art, University of
Pennsylvania.
2007 The Music of Regret, Ludwig Museum, Colonia.
The Music of Regret, Birdseye Film Festival, Londres.
Dolls, Galleria Rafaella Cortese, Milán.
French Kiss, JGM Gallery, Paris.
2006 Woman Only! In Their Studios, Museum of Texas Tech University.
Polk Museum of Art, Lakeland, Florida.
Women in the Bedroom, Larissa Goldston Gallery, Nueva York.
New York, New York: Fifty Years of Art, Architecture, Film, Music and Video, Grimaldi Forum, Mónaco.
The Collectibles, The Contemporary Art Museum St. Louis, Missouri.
2005 Contemporary Voices: Works from the UBS Art Collection, The Museum of Modern Art, Nueva York.
Steven Scott Collects: Donations and Promised Gifts to the Permanent Collection, National Museum of Women in the Arts, Washington D.C.
2005-04 Disparities and Deformations: Our Grotesque, SITE Santa Fe Fifth International Biennial.
East Village USA, New Museum of Contemporary Art, Nueva York.
2004 Where, Clifford Chance.
2003-05 Last Picture Show: Artists Using Photography, 1960-1982, Walker Art Center, Minneapolis.
The UCLA Hammer Museum, Los Angeles.
Museo de Arte Contemporánea de Vigo, Vigo.
Fotomuseum Winterthur, Zurich.
2003 Constructed Realities: Contemporary Photography, Orlando Museum of Art.
Strangely Familiar: Approaches to Scale in the Collection of the Museum of Modern Art at the New York State Museum in Albany.
Designs for Living, Margo Leavin Gallery, Los Ángeles, California.
2002 Enough About Me, comisariado por Deborah Kass, Momenta Art, Brooklyn, Nueva York.
Sweet Tooth, comisariado por Sarah Tanguy for COPIA, The American Center for Wine, Food & the Arts, Napa California.
A Doll's House, Henie Onstad Kunstsenter, Noruega.
2001 Moving, Sean Kelly Gallery, Nueva York.
2000 Who's That Girl, Sandra Gering Gallery, Nueva York.
Staged: Constructions of Reality in Contemporary Photography, Bonakdar Jancou Gallery, Nueva York.
Insites: Interior Spaces in Contemporary Art, Whitney Museum of American Art, Nueva York.
Limited and Unlimited Editions, Artists Space (benefit exhibition), Nueva York.
S.O.S.: Scenes of Sounds, The Tang Teaching Museum and Art Gallery, Skidmore College, Nueva York.
Open Ends, 11 Exhibitions of Contemporary Art from 1960, The Museum of Modern Art, Nueva York.
ICP Permanent Collection, International Center of Photography, Nueva York.
Laurie Simmons & Peter Wheelwright: Kaleidoscope House, Deitch Projects, Nueva York.
The Darker Side of Playland: Childhood Imagery from the Logan Collection, San Francisco Museum of Modern Art.
Almost Warm & Fuzzy, Tacoma Art Museum, Tacoma, Washington; Scottsdale.
Museum of Contemporary Art, Scottsdale, Arizona; P.S. 1 Contemporary Art Center, New York; Fundacio "La Caixa", Barcelona; Crocker Art Museum, Sacramento, CA; Art Gallery of Hamilton, Ontario, Canadá; Memphis Brooks Museum of Art, Memphis, Tennessee; Cleveland Center of Contemporary Art, Cleveland, Ohio.
Toys, Kagan Martos Gallery, Nueva York.
1999 Looking at Ourselves: Works by Women Artists from the Logan Collection, San Francisco Museum of Modern Art.
The Emerging Image: Selected Contemporary Photography, Susquehanna Art Museum, Harrisburg, Pennsylvania.
American Century, Whitney Museum of American Art, Nueva York.
Almost Warm & Fuzzy, Des Moines Art Center, Iowa.
Der Anagrammatische Körper, Jahresmuseum, Mürzzuschlag, Austria; ZKM Medientheater, Karlsruhe.
1998 Bathroom, Thomas Healy Gallery, Nueva York.
Little Worlds, Dunlop Art Gallery, Regina Public Library, Saskatchewan.
Gesichter und Dinge, Neue Gesellschaft für bildende Kunst E.V., Berlin, Alemania.
The New Surrealism, Pamela Auchincloss, Nueva York.
1997 Making it Real, organizado por ICI, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut; The Reykjavik Municipal Art Museum, Reykjavik, Islandia; Portland Museum of Art, Portland, Maine; Bayly Art Museum, University of Virginia, Charlottesville, Virginia.
Metamorphosis, Claudia Gian Ferrati Arte Contemporanea, Milán.
Now on View, Metro Pictures.
Making Pictures: Women and Photography, 1975-Now, Bernard Toale Gallery, Boston, Massachusetts.
Heaven: Private View, P.S.1 Contemporary Arts Center, Nueva York.
Defining Eye: Women Photographers of the 20th Century, the Saint Louis Art Museum.
Europa USA, Palazzo Sterio Magno Cefalù, Sicilia.
1996 Everything That's Interesting is New: The Dakis Joannou Collection (en conjunción con The Museum of Modern Art, Copenhague).
Athens School of Fine Arts the factory, Atenas, Grecia.
S. L. Simpson Gallery, Toronto, Canadá.
Altered and Irrational, Whitney Museum of American Art, Nueva York.
Personal/Impersonal, Gracie Mansion/Fred Dorfman Projects, Nueva York.
Art At Home: Ideal Standard Life, Spiral Garden, Tokio.
G. Ray Hawkins Gallery, Santa Monica, California.
Art 27 '96, Basel International Art Fair, Galerie Philippe Rizzo, Paris.
Printemps de Cahors: Photographie & Visuels, Paris.
Art Dynamics Inc., Tokio.
Metro Pictures, Nueva York.
Radical Images, 2nd Austrian Triennial on Photography 1996, Neue Galerie am Landesmuseum Joanneum, Graz and Camera Austria in the Kunsthalle Szombathely.
Doll House, Illinois State University.
The Romper Room, Thread Waxing Space, Nueva York. (Nov. 21-Dec. 21)
Making Pictures: Women and Photography, 1975-Now, Nicole Klagsbrun, Nueva York.
A/drift, Center for Curatorial Studies, Bard College, Nueva York.
Basilico Fine Arts, Nueva York.
1995 The Message is the Medium: Issues of Representation in Modern Technologies, Castle Gallery, College of New Rochelle, Nueva York.
Actual Photos (en colaboración con Allan McCollum), Metro Pictures, Nueva York; Sprengel Museum Hannover; Kunstraum München, Alemania.
Pulp Fact, The Photographers' Gallery, Londres.
Mini Mundus, White Columns, Nueva York.
Die Muse?: Transforming the Image of Women in Contemporary Art, en conjunción con Salzburger Festival, Galerie Thaddeus Ropac, Paris.
Fact, Fiction and Truth: Contemporary Portraits, Lehman College Art Gallery, The City University of New York, Bronx.
Is It Art?: Transgressions in Contemporary Art, comisariado por Linda Weintraub; Virginia Beach Center for the Arts; Contemporary Arts Center, Cincinnati; The Katonah Museum of Art, Nueva York.
S. L. Simpson Gallery, Toronto.
Geoff Young Gallery, Great Barrington, Massachusetts.
The Monster Show, comisariado por Bonnie Clearwater, Museum of Contemporary Art, N. Miami.
Playtime: Artists and Toys, Whitney Museum of American Art at Champion, Stamford, Connecticut.
Passions Privee, Museé d'Art Moderne de la Ville de Paris.
Being Human, Rabb Gallery, Museum of Fine Arts, Boston.
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(Premios y becas)
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1984 National Endowment for the Arts Grant.
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(Museos y colecciones públicas)
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Albright-Knox Art Gallery, Buffalo, Nueva York.
Allen Memorial Art Museum, Oberlin, Ohio.
Baltimore Museum of Art, Maryland.
Fogg Art Museum, Harvard University, Cambridge, Massachusetts.
International Center of Photography, Nueva York.
Israel Museum, Nueva York.
Metropolitan Museum of Art, Nueva York.
Musée d'Art Contemporain, Montreal.
Museum of Contemporary Art, Los Angeles, California.
Museum of Fine Arts, Houston, Texas.
Museum of Modern Art, Nueva York.
St. Louis Art Museum.
Stedelijk Museum, Amsterdam.
The Birmingham Museum of Art.
The Corcoran Gallery of Art, Washington, D.C.
The Hara Museum, Tokio.
The High Museum, Atlanta, Georgia.
The Los Angeles County Museum of Art.
The Philadelphia Museum of Art.
The Weatherspoon Museum, North Carolina.
The Whitney Museum of American Art.
Walker Art Center, Minneapolis, Minnesota.
Bibliografía
2007 Laurie Simmons Color Coordinated Interiors, Exhibition catalogue, Skarstedt Fine Arts. Exit Imagen y Cultura: Jugando (Playing).
2006 Barrett, Terry. Criticizing Photographs; An Introduction to Understanding Images, McGraw-Hill, Nueva York, 2006.
Sight Lines: Postwar to Contemporary Art, The Kohlberg Kravis Roberts Collection, New York: KKR & Co., 2005, p. 212-213.
Marcoci, Roxana, Perceptions at Play: Giacometti through Contemporary Eyes, Art Journal, Vol. 64, no. 4, invierno 2005, p. 19.
Princenthal, Nancy, Laurie Simmons, The Music of Regret, at Salon 94, from Performance: You Had to Be There, Art in America, febrero 2006, p. 53.
Sheets, Hilarie M., Laurie Simmons, ARTnews, marzo 2006, pp. 131-132.
Yablonsky, Linda. The Sound of Silence, Artforum, mayo 2006, pp. 75, 308.
Tassini, Eugenio. Stile Collage, io donna, abril 2006, pp. 339 y 341.
Dannatt, Adrian. New York: Diary, The Art Newspaper, mayo 2006, p. 41.
Scott, Andrea K. First Picture Show, Time Out New York, 18 mayo 2006, p. 77.
Goings on About Town, The New Yorker, 29 mayo 2006, pp. 6, 18.
Wright, Karen. Gallery, Modern Painters, junio 2006, p. 135
Going on About Town: Laurie Simmons, The New Yorker, 12 junio 2006, p. 30
Cohen, David. Gallery Going: Nordic Gloom & Dancing Mannequins, New York Sun, 8 junio 2006, p. 15
Braso, Emma. Laurie Simmons, Exit Express, junio 2006, pp. cover, 32.
Valdez, Sarah. Gallery: Laurie Simmons, Paper, junio/julio 2006, p. 128.
Lipsky-Karasz, Elisa. Eye View: Art, W Magazine, junio 2006, p. 124.
2005 Smith, Roberta, Performance Art Gets Its Biennial, The New York Times, 4 noviembre 2005, p. E33, E39
Rappolt, Mark, Bookmark: Laurie Simmons: Walking Talking Lying, Modern Painters, noviembre 2005, p. 119.
Simmons, Laurie & Rosenberg, Karen, This is No Cakewalk, New York Magazine, 21 noviembre 2005, pp. 82-83.
Linkler, Kate, Laurie Simmons: Walking, Talking, Lying, Aperture Foundation, 2005.
Don’t Miss! Time Out New York, 15 diciembre 2005, p. 118.
Rappolt, Mark. Bookmark: Laurie Simmons: Walking Talking Lying, Modern Painters, noviembre 2005, p. 110.
Mendelsohn, Meredith. Live from New York, ARTnews, noviembre 2005, p. 43.
Kinsella, Eileen. Where the Buys Are, ARTnews, noviembre 2005, pp. 154/161.
2004 M.D., Acquisitions: Laurie Simmons, Guggenheim Magazine, invierno, p. 11.
Yablonsky, Linda, Better, More Surreal Homes and Collages, The New York Times, Sunday, febrero 15, 2004, p. 18.
Loos, Ted, House Rules, Vogue, marzo, 2004, p. 406.
Laurie Simmons, The New Yorker, 8 marzo 2004, pp. 15; 17-18.
Art Listings, Time Out New York, 4-11 marzo 2004, p. 59.
Diaz, Eva, Laurie Simmons, ‘The Instant Decorator’, Time Out New York, 11-18 marzo 2004, p. 80.
Laurie Simmons: The Instant Decorator,The Art Newspaper, No. 145, marzo 2004, p. 3.
Kellogg, Craig, Quintessentially Barcelona, nterior Design, marzo 2004, pp. 140-44.
Glueck, Grace, Laurie Simmons: ‘The Instant Decorator’, The New York Times, 26 marzo 2004, p. E36.
Miretti, Stefania, La Passione per i Detersivi, Amica, mayo 2004, pp. 133 – 136.
Brakewood, John Peter, Laurie Simmons: Collages Volages, Art Actuel, mayo/junio 2004, pp. 60-61.
Laurie Simmons, 7 March 1994, from Inside the Studio: Two Decades of Talks with Artists in New York, Judith Olch Richards, editor, New York: Independent Curators International (ICI), 2004, pp. 138-141.
MacAdam, Barbara A., Laurie Simmons: Sperone Westwater, ARTnews, junio 2004, p. 112.
Romeo, Filippo, lezioni di bon ton, CASE da Abitare, junio 2004, pp. 56-65.
Storr, Robert, Laurie Simmons, from Disparities & Deformations: Our Grotesque, (Santa Fe: SITE Santa Fe, 2004), pp. 122-123
Laurie Simmons at Sperone Westwater, Art in America, octubre 2004, p. 158.
East Village USA, catálogo de exposición, New Museum of Contemporary Art, New York, 2004, p. 71.
Contemporary Voices: Works from the UBS Art Collection, catálogo de exposición, The Museum of Modern Art, New York, pp. 236-237.
2003 Steinberg, Claudia, Schöner Wohnen, Architektur & Wohnen, marzo.
Orvell, Miles, American Photography, Oxford: Oxford University Press, pp. 174-181.
The Instant Decorator (Wood Paneled Den), Bomb, nº # 85, otoño 2003.
2002 Deborah Schoeneman, The Force is with festival trophies, The New York Post, mayo 12, p. 50.
Michael Kimmelman, Laurie Simmons Photographs 1978-1979: 'Interiors' and 'Big Figures', The New York Times, junio 7, p. E36.
Vince Aletti, Voice Choices, The Village Voice, junio 18, p. 73.
Photography, A Cultural History, Mary Warner Marien Laurence King Publishing Ltd, pp. 441-442.
Roberta Smith, For a Paian to Heroic Women, a Place at History's Table, The New York Times septiembre 20, p. E34.
Visions from America - Photographs from the Whitney Museum of American Art 1940-2001, Whitney Museum of American Art, Nueva York.
2001 Matthew Ritchie, People in Glass Houses, Frieze, marzo pp. 62-63.
Tracey Hummer, Modern Reduced, Smock, primavera, verano, pp. 39-42.
Susan Fisher Sterling, Reflecting on Women, Place, Memory, and Desire: Contemporary Photography in NMWA's Collection, National Museum of Women in the Arts, verano, pp. 12-17.
Alanna Stang, Honey, I Shrunk the House, Interiors, octubre.
Little Worlds, ensayos de Anthony Kiendl and Jeanne Randolph, Dunlop Art Gallery, Canadá.
Play's the Thing: Critical and Transgressive Practices in Contemporary Art, Whitney Museum of American Art, pp. 27-29.
2000 Seizing the Light: History of Photography, por Robert Hirsch, McGraw Hill, Boston, p. 450.
Helen Walters, Rhapsody on Blue, Creative Review, marzo, pp. 73-76.
Jacques Barzun, The Coming Age, Harper's Magazine, abril, pp. 61-2, 65.
Limited and Unlimited Editions, Artists Space (exposición benéfica), Nueva York.
Laurie Simmons: A House without Dolls, LIFE: The 2000 Alfred Eisenstaedt Awards, primavera, p. 53.
Suqi, Rima, Rainbow High, Paper, octubre, p. 48.
Viladas, Pilar, Welcome to the Dollhouse, The New York Times, Home Design, Part Two, otoño p. 50.
Wheelright, Peter, Peek-A-Boo Views, Nest: A Quarterly of Interiors, otoño.
Ask Dr. Hip, U.S. News & World Report, noviembre 13.
Amelia Jones, Body Art/Performing the Subject, New Observations (Nueva York), invierno.
1999 Rochelle Feinstein, Leftovers, Art on Paper, enero/febrero, pp. 34-35.
Petra Halkes, Fils Invisibles et Souffles Fantomes: La Marionnette Dans L'Art Moderne et Postmodern, Omnibus, enero, pp. 8-10.
Maura Reilly, Laurie Simmons at Metro Pictures, Art in America, febrero, p.108.
Looking at Ourselves: Works by Women Artists from the Logan Collection, ensayo de Daniela Salvioni, San Francisco Museum of Modern Art (cat.).
A.D. Coleman, The Century's Most Influential Artists: Willful Provocateur, Artnews, mayo, p. 138.
Art: A Comparative Study, de Jed Jackson, Kendall/Hunt Publishing, Iowa, pp. 264-265.
Aperture, ensayo de Vince Aletti, Madonna et al, verano, p. 59.
Leslie Ava Shaw, The American Century Part II, The New York Art World, octubre, pp. 14-15.
Andy Grundberg, Crisis of the Real, Aperture, Nueva York.
American Photography: A Century of Images, producido por Middlemarch Films, PBS Home Video.
Woman, de Cecelia Dean, Visionare Publishing, Nueva York.
Criticizing Photographs, deTerry Barrett, Mayfield Publishing, CA, p.83.
The American Century: 1950-2000, de Lisa Phillips, Whitney Museum of American Art, p. 280 (cat.).
Once Upon a Time in America, ensayos de Mohammad Mottahedan, Tony Godfrey, Christie's Books, Londres, pp. 83-85.
Puppen Körper Automaten, ensayo de Pia Müller-Tam, Oktagon, Köln.
American Photography: A Century of Images, de Vicki Golderg & Robert Silberman, Chronicle Books, San Francisco, p. 216.
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(Textos del artista )
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2005 Laurie Simmons on John Newman, BOMB, verano 2005, pp. 80 – 81.
2003 The Antidecorator, The New York Times, Home Design, Part 2, abril 13, pp. 76-79.
Guys and Dolls: The Art of Morton Bartlett, Artforum, septiembre, 2003, pp. 204-207, 261.
Laurie Simmons, In And Around The House, Photographs 1976-1978, textos de Carol Squiers y Laurie Simmons, Carolina Nitsch Editions, Nueva York, pp. 15-24.
2001 Ice Hotel, Index, abril/mayo, pp. 113-115
1998 Isaac Mizrahi with Laurie Simmons, Index, en/feb., pp. 20-29
Beauty 101: Laurie Simmons Searches the Web for the Perfect Shade, Index, septiembre, pp. 81-85
Claude Sabbah, Index, noviembre, pp. 41-47
1997 Toys Are Us: Jarvis Rockwell in His Studio, Artforum, octubre, pp. 82-87.